Lucky's Comics

New Arrivals

SUPPLEMENTARY FILE #1 (S.F.)

By Ryan Cecil Smith

Publisher: self published

SF Supplementary File #1 is a 12-page coming-of-age tale about Gorum, the rugged outdoorsman of the Space Fleet Scientific Foundation Special Forces. Where is he from? What sparked his interest in science? How did he become so tough and rugged? What is his dark past? You can read the complete issue for FREE online… and then you can buy your own limited edition minicomic. Just 2 dollars. Available in Lime Green and Lemon Yellow. (Looks great paired with SF #1)

Two eyes of the beautiful part 2

By Ryan Cecil Smith

Publisher: self

The grotesque horror manga based on Umezu Kazuo’s “Blood Baptism” is back – this time with more bang for your buck. Longer story, better pictures, more twists and more twisted than you can guess. Just BUY it.

Edition of 250. GOCCO covers. 48 pages. 12cm x 16.5cm.

Two eyes of the beautiful

By Ryan Cecil Smith

Publisher: self published

Spring into the HORROR of Two Eyes of the Beautiful, a nightmare manga that’s ABOUT beautiful women, made FOR beautiful women, and drawn BY a normal person. I take it all back — this story is SICK, GROTESQUE, and ONLY for the BRAVE (and also the beautiful). May 2009. Reprinted with Risograph color covers July 2011.

Bestsellers

Hark A Vagrant

Hark! A Vagrant

By Kate Beaton

Publisher: Drawn and Quarterly

HARK! A VAGRANT takes readers on a romp through history and literature — with dignity for few and cookies for all — with comic strips about famous authors, their characters, and political and historical figures, all drawn in Beaton’s pared-down, excitable style. This collection features favourite stories as well as new, previously unpublished content. Whether she’s writing about Nikola Tesla, Napoleon, or Nancy Drew, Beaton brings a refined sense of the absurd to every situation.

In just four years, Kate Beaton has taken the comics world by storm with her non sequiturs, cheeky comebacks and irreverent punch lines. With 1.2 million monthly hits on her site — 500,000 of them unique — and comics appearing in Harpers Magazine, the National Post and The New Yorker, her caricatures of historical and fictional figures filtered through a contemporary lens display a sharp, quick wit that knows no bounds.

The Selves

The Selves

By Sonja Ahlers

Publisher: Drawn and Quarterly

Before blogs, there were zines. Before zines, there were scrapbooks. Sometimes overlooked in the quest to produce high culture, these most direct and intimate means of communication and recording memory are the tools favoured by Sonja Ahlers in the making of her art. A self-taught artist and writer, Ahlers wears her pop culture obsessions on her sleeve, professing her love for such visual icons as Princess Di, Holly Hobbie and Stevie Nicks. Focusing on found objects such as stickers, greeting cards, magazine photos collected in collage framework, complete with song lyrics hand-lettered in cursive script and heartbreaking, melancholic water colors, Ahlers explores and exposes the social construction of roles, feminine and otherwise. Beginning with incipient childhood self-awareness and traversing high school status jockeying to adult social climbing, the cultural imagery that supports and informs personal identity is given uneasy new meanings and importance in Ahlers’ visual remixes. With The Selves, the schizophrenic nature of an identity foraged from modern cultural sources is laid bare.

Big Questions

Big Questions

By Anders Nilsen

Publisher: Drawn and Quarterly

A haunting postmodern fable, BIG QUESTIONS is the magnum opus of Anders Nilsen, one of the brightest and most talented young cartoonists working today. This beautiful and minimalist story, collected here for the first time, is the culmination of ten years and over 600 pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe. A downed plane is thought to be a bird and the unexploded bomb that came from it is mistaken for a giant egg by the group of birds whose lives the story follows. The indifferent and stranded pilot is of great interest to the birds–some doggedly seek his approval, while others do quite the opposite, leading to tensions in the group.Nilsen seamlessly moves from humor to heartbreak. His distinctive, detailed line work is paired with plentiful white space and large, often frameless panels, conveying an ineffable sense of vulnerability and openness.

BIG QUESTIONS has roots in classic fable–the story’s birds and snakes have more to say than their human counterparts and there are hints of the classic hero’s journey, but the easy moral that closes most fables is left here as open and ambiguous. Rather than lending its world meaning, Nilsen’s parable lets the questions wander out to go where they will.

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